Dear Fellow Dance Music Lovers,
This blog brings you the best in Dance Music and Club Classics; from early 87 (back in the daze) through to the present day.
For all those who rocked it all night until the early hours, to those that lived for clubbing and couldn't wait for the weekend to arrive. Enjoy and leave any comments on the blog or contact direct by email at pureclubclassics@live.co.uk
Two fantastic vocal divas and two fantastic tracks.
The original Chaka version was from 1974, with this remix from 1978.
The Whitney version has a superb remix by C&C and came out in 1993.
Which is best?
IMHO they are both great, but I think the Whitney version just edges it, mainly courtesy of the great C&C remix and as good as Chaka's vocals are, nobody can out-sing Whitney!
Cracking piece of progressive house from Zammo who was also a cracking DJ North of the border in Scotland. An equally cracking remix by The Digital Blonde who also did some great remixes/productions.
It drives and flows with some lovely ethereal vocals and then bubbles in some great TB 303 acid squelch.
A cracking track which came out on Stress in 1996, a label that allows put out quality.
As much as a like Noel as a rock star I never thought I'd be putting him on the PCC blog, but throw a couple of Hacienda legends on the remix duties and you have a corking dance track.
Noel's vocals are good and there is some great piano that really lifts the track.
This came out in 2018 although not sure of it's impact on the nations dancefloors.
There is also an Andy Weatherall remix, but that is pretty non-descript and nowhere as near as good as this.
Noel Gallagher’s High Flying Birds - It's A Beautiful World
Love this track from 1995 and only came across it recently, thanks to Leroy and his forgotten house classics videos series which are well worth checking out.
From 1990 it's a great bit of Balearic brilliance with a cool laid back vibe, some lovely skippy piano, lots of great vocal samples/snippets and some hypnotic chanting.
I've often said on the PCC blog that Junior can be a bit hit and miss and some of his work ranges from out of this world to plain boring.
This I'm glad to report is one of his very best.
Talk about explosive. It has an intensity and urgency achieved by very few tracks and keeps you totally encapsulated and engrossed throughout (following a very gentle first 90 seconds).
It then takes off and it never stops all 12 minutes of it.
I would have loved to heard this in a club, but my clubbing days were over by this time (2000).
There are also some very credible although much gentler and laid back remixes by LME and Link Ray, of which the Link Ray is the better of the two and is really excellent.
However, they are nowhere near as impressive as Junior's.