Dear Fellow Dance Music Lovers,
This blog brings you the best in Dance Music and Club Classics; from early 87 (back in the daze) through to the present day.
For all those who rocked it all night until the early hours, to those that lived for clubbing and couldn't wait for the weekend to arrive. Enjoy and leave any comments on the blog or contact direct by email at pureclubclassics@live.co.uk
I can't quite believe how this has the impertinence to call itself a new track instead of a Forever and a Day remix, as it is a blatant rip off of the great Brothers in Rhythm classic.
That said, it's still a corking track with some great funky guitar and some bangin' piano.
It's funny when I first started the PCC blog back in 2009, I always thought that I'd soon run out of tracks to post as at the time there seemed to be a finite number of Pure Club Classics.
However, since that first day on Friday 6th February 2009 the blog has kept on going and going (despite a brief pause in 2017 and 2018 when I simply didn't have time to post and thought that may be the end).
It is now at a stage where I can see no end, just more and more great tracks being posted.
Since the concept I've started to add lots of new tracks as well as old and while not all these are tracks I've heard in clubs, they are ones which I know would go down a storm.
The ethos of the blog has always been quality over quantity and I now have a folder with over 2,500 still to post tracks, hence I can't ever envisage a time when I will run out of material.
Enough of all that, here's a track which has been hidden away in that "to post" folder for far too long.
This is epic in every way from the very first piano chord to the end.
An all time classic which still sounds amazing 15 years on and will still sound amazing in another 15 years.
One of the great joys of keeping the blog going after almost 20 years is the thrill of coming across not just great new music but great old music you missed the first time arrive.
I'm a huge Diana Ross fan, but had never heard this track before and think it is absolutely magnificient.
Why wasn't this bigger??
In my opinion it is fantastic and right up there with some of her very best.
Fast paced, fantastic instruments, Diana's stupendous vocals, some superb lyrics and just a heavenly disco production.
Love some of Röyksopp work and this is just stunning.
Beautiful piano chords, gorgeous ethereal vocals and just such a great aura and atmosphere.
They are one of the bands who I need to explore more fully, as I must confess I've not listened to much of their catalogue.
This track is just stunning though.
There are lots of remixes of this and I've added the Anamē remix which is great and more specifically clubby, but the original does more than enough for me.
Pure Class!
Röyksopp ft. Susanne Sundfør - Running To The Sea
Röyksopp ft. Susanne Sundfør - Running to the Sea
Always loved Lauryn Hill she had it all, attitude, style, a great look, great lyrics, great rapping and importantly great vocals.
She was one of the true stars of the 90's who created the paths for the likes of Rihanna and many others.
Although not strictly dance music this Disco Purrfection version really cuts the mustard.
All the Disco Purrfection remixes are superb and many are featured on this blog, so check them out on You Tube.
They typically take great disco tracks and reemphasising and repeat, the best bits of the tracks creating something longer and certainly enhanced and always done with real class
The vocals in this are great, as are the lyrics, the piano and the trumpets.
I remember seeing this back in 2019 and it just blew me away.
Not the sort of sound or track you'd normally associate with the PCC blog, but I reckon something like this dropped at the right time could be immense (think of Jeremy Healy and dropping Nirvana's "Smells Like Teen Spirit").
The energy in this track is immense, this is how to play the saxophone and it gives a big two fingers to this trend of these fake saxophonists who stand at the front lording it playing track after track. They should be banned for discrediting real artists.
Back to the track, well it's just an amazing mish-mash of electronic beats and saxophone, totally unique and just so epic.
A really unique track with so much going on in it.
It has a type of Saint Etienne vibe, with some luscious vocals and a whole cacophony of different sounds and vibes, including Jazz, Afro House, piano and some great sax.
All very tasty and a champion of a track.
I'm sure this will get better of acclaim or at least it should.