Dear Fellow Dance Music Lovers,
This blog brings you the best in Dance Music and Club Classics; from early 87 (back in the daze) through to the present day.
For all those who rocked it all night until the early hours, to those that lived for clubbing and couldn't wait for the weekend to arrive. Enjoy and leave any comments on the blog or contact direct by email at pureclubclassics@live.co.uk
A smiply beautiful disco track from 1976 almost 50 years old, wow!
You can hear where Spiller's - Groovejet pilfered all it's material and hooks.
Amazing production, amazing vocals and just exquisite musical instruments, they certainly don't make them like this anymore. I think there's even a glockenspiel in this one!
Great remix work by Tom Moulton just refreshing it and giving it a bit more edge.
Heard this track on a Purple Disco Machine mixset recently and just had to post it.
Kim Wilde was pretty hot stuff in the early 80s and although this wasn't one of her big hits, it was probably one of her best tracks and still sounds amazing today.
Hats off to a cracking remix here by Moreno J he has done a brilliant job of enhancing the original version.
The intro to this track is so amazing that it really has nowhere to go from there and the rest of the track somewhat disappoints as a bit of cheesy rave track, but that intro is just heavenly and hence well worth it.
If ever a track needed a remix, because some of the piano in this is absolutely top notch.
Love the bit that slows down and then kicks back into life also.
Old skool never dies.
Enjoy!
Rainbow Zone - Vol 1 - The Rainbow Walls
(DJ Roy Silver's "Only Smarties Have The Answer" Mix)
When two trance guru's co-lab you know you are going to get something special.
Ferry Corsten and Tiësto working together under their Gouryella alias creating some of the standout tracks of that great trance era in the early 2000s.
This was a true classic which still sounds great 25 years on.
Fantastic classic Fleetwood Mac track made extra special by a superb remix by the trailblazer that was Arthur Baker.
I first heard this track via the world famous Chris & James Essential Mix from 1993 which still stands the test of time as the greatest mixset I've ever heard.
I've really grown to love Fleetwood Mac over the years and this track is pure heaven and just has everything.
Another imperious remix by the legend that is E-Smoove aka Eric Miller.
The quality and consistency of his remixes were so good I'd put him righty up there in the same bracket as Frankie and Morales - no higher praise is possible.
Here he uses his tried and tested formaula to turn an average track into a dancefloor monster.
This ones from 1995 and should've been bigger than it was.
Bowie was without doubt one of the most influential pop artists of his generation and thoroughly deserved his legend status R.I.P.
Not many of his tracks were that dancefloor friendly though.
How Sgt Slick has a great knack of converting great pop songs into great club tracks with some gentle tweaking of the knobs, whilst always respecting the original track.
Here is just brings the piano, sax and percussion to the fore with great effect.
That whole New York Twilo period of the late 90's early 2000's where Junior Vasquez, Peter Rauhofer, Hex Hector, Thunderpuss ruled the roost with really long epic remixes of pop songs was very exciting.
Here Peter Rauhofer goes to work under his Club 69 alias creating another club banger from a pretty standard pop track as was his style.
Long epic journeys, with lots of peaks and builds were his thing, creating making an epic track.
This probably isn't one of his very best, but still pretty epic.
Big fan of Tom Odell, who is supremely talented and produces the most amazing songs.
Here one of his classics is given the club treatment.
There are lots of remixes out there of this, but many are cheesy EDM trash.
This one is IMHO the pick of the bunch as it allows the beauty of the original track to really come to the fore and of course that glorious piano and the mazing haunting vocals.
If you think of Rozalla you immediately think of "Everybody's Free" or "Faith" which although were very good at the time, they were very overplayed and very, very commercial.
This one from 2015 is still pretty commercial, but just underground enough courtesy of a cracking piano-tastic Love To Infinity remix.