Dear Fellow Dance Music Lovers,
This blog brings you the best in Dance Music and Club Classics; from early 87 (back in the daze) through to the present day.
For all those who rocked it all night until the early hours, to those that lived for clubbing and couldn't wait for the weekend to arrive. Enjoy and leave any comments on the blog or contact direct by email at pureclubclassics@live.co.uk
A quality track from 1994 and another that never got played out in the clubs as much as it should have.
This should have been a lot bigger.
No surprise to know that Stonebridge were behind this remix which probably explains the bouncy piano vibe, which goes down a treat when combined with Sabrina's classy vocals.
I don't know why, I don't know why?
Sabrina Johnston - Satisfy My Love
(Johnny Boy's Monday Full On Mix)
The House Factor mix is also pretty tasty and well worth a post.
Lots of chunky piano in this one, which is also Stonebridge under their Swemix alias).
Quality track from 1997 courtesy of a quality Disco Citizens remix (weren't they all).
As good as Chicane were I always preferred Nick Bracegirdle's work under his Disco Citizens alias as it always felt a little bit more underground and less commercial.
As well as a good remix this also has some fine vocals from Sonya Madan probably better known as the lead vocalist in 80s Britpop band Echobelly.
I'm quite probably risking my credibility here, but who cares.
I really like this track and think it just about deserves it's position on the PCC blog.
Yes, it's as cheesy as hell but it does sound really great and would definitely go down a storm in a club if dropped at the right time.
This track also possibly holds the record for the oldest on the PCC blog with the original Frankie ialli version dating back to 1967 (almost 60 years ago - Wow!).
It was given a Disco revival by Boys Town Gang in 1981 and then Jimmy revamped it as he did with many 80's disco classics.
Not quite as powerful (or popular) as Diddy's remix of Atomic, but a cracking remix all the same.
Blondie was one of my first music influences and I played Parallel Lines to death in late 70's as a youngster (yes I even had great taste in music as a 8 year old!!).
This remix is from 1995 and captures all the essence of the original with Debbie's superb vocals, but also provides a pretty powerful dance groove.
Fast tempo from the start it keeps pounding along and then increases the appeal as it starts to add some great ethereal feel towards the end of the track.
Loving this a great new track from Ten City who have been producing great house music from the very beginning of the house era way back in the late 80's. Now that is longevity.
It's amazing to think that there first track Devotion was released in 1987.
That's almost 40 years at the top of their game, when most dance acts are lucky if they last 40 weeks let alone months and most certainly not years.
Respect to Ten City.
About the track well it's an absolute belter - laden with piano from start to finish and a high tempo grrove that just bounces along with some great lyrics and of course some delightful vocals from Byron.
A real quality piece of house music (maybe a touch on the commercial side), very lively and entertaining.
Possibly a tad short at just under 4 mins, but I'm sure new remixes will come in due course.
Get on the flow, come on let's go!
Come on let's have some fun, let's party everyone!
I love all those New Beat tracks and when mixed and blended with all the house and Balearic tracks from that era they gave Acid House it's key ingredients.
Simplicity but done so well and still sounding great almost 40 years on.
Another quality track from Just Jack, love his stuff always on point.
Along with Mike Skinner (aka The Streets) they really helped to change the face of rap.
That whole style they produced was unique fresh and just felt very authentic, very matter of fact.
Here are two great versions which if I had to choose I'd probably opt for the Trophy Twins Mix (only just), as it is a touch more dancefloor focused where Ashley's version is more jazzy (but still great!).
Both very worthy of PCC status!
It's a long way to come from the Dog N' Duck Karaoke machine!
Great new track which has been a key feature of recent Keinemusik sets.
It's very much in the style we have come to expect with a gentle chilled build up and then explodes with some amazing piano chords which just feel so good.
These tracks just put you in a place and create instant adrenalin rushes.
Why do you dance, why do you move, why do you groove?
Reznik, Jesse Boykins III - Cloudy Eyes (Dance Tonight)
A really great new and very different remix of the Ms Bush classic.
The vocals are not dissimilar to Pink Floyd's - Another Brick In The Wall", but it's the deep progressive house vibe around the track which is really great.
It touches on the Afro House vibe, but is quicker and more pounding.
This one comes from 1999 when trance was at it's very peak.
I think this review from Discogs by Wizhard sums it up very nicely
Higher is one of the finest work of the legendary Laurent Veronnez.
A perfection of progressive trance, it's just impossible to stay insensitive to this one, it brings so much emotion to your ears...
A truly artistic piece that begins with a splendid aerial instrumental break of 3 minutes before kicking in and evolving to a shattering lead sequence.
Then the tracks starts its blossoming and reaches its final state of total bliss with gorgeous piano chords and a Balearic guitar riff...
Maybe this is what it feels to reach the heavens of the sky?
Only just come across this, although it is over 5 years old, (Oops - so much for the PCC blog being at the forefront of fantastic dance tracks (as well as PCCs from back int'day).
I have to say it is one of the best tracks (of it's type) that I've heard for many years.
It is very much a cross between Joy Division/New Order and Depeche Mode - with influences from each of those.
Superb vocals, great electro synths and the starts and drops just like many great Depeche tracks.
Probably not overly dancefloor friendly but could be used effectively as an opener or set closer!
I would like to find the answers I was always rudely denied!
Just lovely - a must for any Depeche fans out there.
Really surprised that I've not posted this yet at this was a huge fave back in the day and a perfect last track of the night selection.
First released in 1991 it is just such a great track with some sumptious vocals from Nicole Williams.
More indie dance than pure dance, but as mentioned such a great track for last of the night and all joining in unity. I remember it being played last track at Cream once in the early 90's.
Still sounds amazing and it should have been much bigger than it was.
My love for Saint Etienne will always be everpresent.
They were without doubt one of the best Indie Dance bands of their generation.
I remember buying all their 12" releases in the early 90's and still have they in my collection. I then played Fox Based Alpha to death when that was released.
The ingenuity of Wiggs and Stanley was off the scale and the vocals of Sarah Cracknell were just heavenly (although they had a few diffferent female vocalists on some of their earlier tracks).
I've already posted lots of their tracks on the blog, this is probably one of their most commercial and less underground, but it is just a glorious track, so full of life and so energy and just so pleasant to listen to, one that never fails to bring a smile to one's face.
The lyrics and story in this are also great.
Life's for enjoying and listening to this is always a joyful moment!
Now there is a fair argument as this track in it's original version is so iconic and untouchable that any remix would not quite be worthy but this remix certainly challenges that.
Rob Dougan and Rollo have been behind so many amazing dance productions that their credibility is one of the strongest out there.
Coming together under their Our Tribe co-lab they produce a stunning remix with so beautiful piano and there familiar Our Tribe vibe.
It doesn't quite have the emotional conection of the Original Mix, but it is nonetheless a really great remix and another very fine production under the Our Tribe moniker.
I know I've already posted this track before, but it was different versions and as it is one of my all time favourite tracks (we even played it on our wedding day at the night do!), it is worthy of posting again.
This is the Richard X remix which differs to the original and the Weatherall remix, yet almost complements both of them.
It brings something else, but still retains that brilliant feel of the original.
A real timeless classic, that vocal by Moira Lambert will always melt me.
Again very Afro House inspired and very well produced.
As good as it is, I just wished they'd been a little more original with the piano which as nice as it is, very much gives Robert Miles - Children vibes (which as good as it was at the time - is now the earworm from hell).
However, that aside it still remains a great track, but could have been even better.
This is one which has been out for some time now, but another fine piece of Afro House vibes.
Very much inspired by the Keinemusik vibe, it has no Afro chants, but the style and formula is very much the same, with that lovely chilled vibe, yet a nice dance-ability feel.
These tracks have a really deep and emotional feel which just makes them generate such a highly charged energy.
Although Robin S is only really known for "Show Me Love" she made some other great tracks and this is one of them.
Courtesy of a stellar remix from Mr Morales, this certainly less commercial than "Show Me Love" but showcases her powerful vocals better and is a quality piece of house music.
Some great percussion in there as with all Morales remixes.
Another slightly forgotten classic from yesteryear.
Another fantastic piece of house music from 1991, which was just such an amazing year for dance music.
Arguably the greatest year ever? Quite possibly.
The tracks that were produced back then were of such a high quality as the scene was just maturing nicely and the club scene was probably at it's all time peak of popularity.
Such an amazing time to be alive and experience.
This is a superb track as was pretty much everything that David and Satoshi did when they worked together.
Great vocals from Sandee, superb piano and a real class house classic of a track.
You give good love to me!
Sandee - Love Desire
(David Morales & Satoshi Tomiie's' House of Def Mix)
This is an old classic from 1989 which never really got the respect and club play that a track of this quality deserves.
However, posting these gems helps to raise that awareness of great tracks from yesteryear that we might have missed, not heard or completely forgotten about.
When I'd been running this blog for the first 5 years or so I thought there may come a time when I ran out of tracks to post, but I now realise that will never happen as there are simply still so many great tracks out there waiting to be unearthed and posted.
I have several thousand in my database labelled of PCC status, hence there is no end in sight.
In the meantime sit back and enjoy some more classic house music.
Steve Anderson needs no introduction to the PCC blog as he has probably had more tracks posted than any other remixer/producer which is just pure testament to his true genius.
Here he is with another fabulous remix of a pretty ordinary track, until Steve spreads his gold dust on it.
Lots of sumptuous piano as may of his remixes gives it some real life and vibrance.
Sometimes it's just nice to play catch and post some classic tracks which have been true PCCs but were probably so overplayed at the time that I just didn't feel the need to post them.
This is a fine example.
This was such a great track when it first came out in 1996, but became so overplayed and commercial that it became a bit tiresome and even tedious.
However, it still sounds great even now and rightly deserves it's status on the PCC blog.
It certainly was a great track back int' day and does still great almost 30 years on.
Really surprised I've not posted this before as it was one of the quintessential disco tracks.
It is also probably one of the most widely known and widely liked (hence maybe why I've not posted yet).
Produced in 1983 - 40 odd years on it has lost none of it's appeal and still sounds fantastic.
Superb vocals, great lyrics and first class production it is a true disco masterpiece and rightly deserves it's position as one of dance music's most iconic tracks.
I have only one thing more to say "Let the music play!"
One of the great things about dance music is it's ability to easily re-use recreate and enhance.
The musical arrangements which were used to create all the classic disco tracks will probably never be repeated due to the cost to assemble the collective of musicians, hence why all these old classics are so frequently sampled.
However, it's great to also pay homage to these old classics and this is one such truly fabulous track.
It's now almost 50 years old, but still sounds amazing.
The vocals are just superb and the production is amazing, not to mention all the great instruments, especially the piano and sax.
You will of course recognise that amazing piano riff which David Morales used so effectively in his hugely popular "Needin' U" track from 1998.
However, I much prefer this amazing original - just a pure timeless classic.
Love this remix and delighted to be posting my first Marvin Gaye track on the PCC blog.
I totally love all the Motown tracks and as a young teen it was one of my most emphatic musical loves and quite possibly shaped by musical tastes for my lifelong of dance music.
The beauty about this music was the quality of the vocals, them amazing production and the use of so many fantastic instruments.
This has fantastic vocals, but for me it is the strings that really make this, the violins in this are stunning and really shape the track.
Bananarama were great and one of the original girl bands.
They were huge in the early 80's and although very commercial with a clever remix they also had a great dance vibe.
There are quite a few of their tracks already posted on the blog.
This one is an epic reworking by DJDiscoCat - I always love his remix work, extending classic tracks, utilising the track "best bits" and relayering them to make them sound even better.
By this stage the rave scene was very clearer splitting into the more dressed up club vibe of the Hac, Back To Basics, Renaissance, Venus etc vs the Hardcore scene and my foot was truly in the Hac, B2B camp.
The whole mask and glow sticks thing was never my bag.
That said there were still lots of great tracks from that rave/hardcore side which although never played at the nation's more glam clubs were still great tracks.
This being one of them.
This one steals heavily from Nitro Deluxe's - Let's Get Brutal - a huge house classic which was posted many years ago on the PCC blog.
An amazing piece of production capturing two outstanding talents who have been consistently leading the way in their respective sub-sectors for the last 30 years.
I've always been a huge The Cure fan, they have always created music which is unique, trailblazing and despite not being aimed at the dancefloor has always had great remix-ability.
Bring in the studio and dance music talents of Oakey and you have a true masterpiece.
The title is quite right this is hugely cinematic and would be a great score for an emotional movie scene.
The PCC Blog has always been very eclectic in it's musical tastes and genres, in the true Ibizian spirit of Balearic that being just playing/posting tracks which are just sensational pieces of music with a dancefloor appeal.
They can be fast, slow, uptempo, downtempo, but they have to be good and something which moves me and creates emotion and true aural pleasure.
Now and again this involves tracks which might be slightly commercial, slightly cheesy or just very different.
This is one such track which is certainly different (and a tad cheesy) but equally very good and very endearing.
Some lovely French vocals, a Italo disco euro beat some lovely subtle piano and just a great summer feel.
It really is a very nice and very engrossing piece of music.
Enjoy!
I've also added a Thunderpuss remix which although slightly more underground, doesn't quite match the great Moreno J remix.
Staying on the classy house vibe, here's another one which is brought to full life thanks to a classy remix by K-Klass who very rarely missed the target with their remix work.
This has great vocals, a great vibe and of course K-Klass's obligatory avalanche of piano.
Tracks like this were always so great to dance to in the clubs.
Another track which I've been playing a lot recently.
It's great to hear that there's so much good dance music being made if you search hard enough.
However, we remain reliant on the likes of the legends like Graeme Park to keep pulling out these gems that are deeply hidden in the huge swathes of dross.
This is very Balearic in feel, just floating along but also engaging, it slowly builds and then delivers some great piano, then continues to increase in tempo until it really starts to rock.
Very well produced and a fine piece of modern house music.
Here we go with a sequence of posts which slightly break the usual PCC tradition of old classics from the past. These will all be some of best new tracks currently rocking the dancefloors of the UK's most underground and select dance venues (and also the select Ibiza clubs).
All have been recently championed on Graeme Park's fantastic radio show and hence come with the endorsement of one of dance music's finest DJs.
Kicking off with a quality piano-tastic track from a genre now called New Italian Disco.
This one has a great old/new vibe and charm about it with some nice Italian vocals and some delightful piano. The Endless Night!