Dear Fellow Dance Music Lovers,
This blog brings you the best in Dance Music and Club Classics; from early 87 (back in the daze) through to the present day.
For all those who rocked it all night until the early hours, to those that lived for clubbing and couldn't wait for the weekend to arrive. Enjoy and leave any comments on the blog or contact direct by email at pureclubclassics@live.co.uk
Such a great track from way back in 1985, which 40 years on still sounds great.
It starts a little steady with a fairly slow tempo, but then really picks up about half way through when it suddenly becomes a lot more dance orientated and then just continues to grow from there.
When the piano kicks in then it really starts to take off.
Quality track from 1995 which just appears to be plodding along, but then explodes with some great piano which transforms it into an absolute banger.
The power of piano is never to be underestimated, it's presence in so many tracks make the difference between plodder and corker and this is a great example.
This is a few weeks old now, but really liking this track at the moment.
Michael Gray has been around the scent for several decades producing fantastic house music under his various guises, as Greed, Hustlers Convention, Full Intention to name just a few.
His formula is tried and tested and all his work entails great vocals and great piano to produce house classics.
Quite possibly one of my favourite Christmas songs and possibly the only credible Christmas song which could be granted PCC status.
I've always loved everything Saint Etienne right from the very beginning back in 1990 with their epic first two releases "Only Love Can Break Your Heart" and "Kiss and Make Up" which I still have both on 12".
Since then have continued to produce brilliant Indie Pop records which when remixed have produced some fantastic PCCs which have already been posted.
This track is a great jolly and energetic dance/pop track with great vocals (as always) by Sarah Cracknell and joined by Tim Burgess (lead singer and frontman of The Charlatans).
If there was ever a track I could picture as being played at Cafe Del Mar this would be up there.
It starts and finishes with the noise of the waves washing up on the sea shore, a la outside Cafe Del Mar, then drops into the beautiful melodic 98bpm Balearic beats, gorgeous female vocals and some delightful piano.
It starts off with a real groove and then just keeps on building and fizzing, slowly drawing you in, then slows and you perhaps think it's not going to really go anywhere and then the piano is unleashed and it kicks and just keeps on kicking.
Another track from Parky's radio sure - keep 'em coming legend!
How do you remix such an epic classic without ruining it?
Well this is a fine example, I'd say that the remix doesn't had a huge amount to the original version, but that's probably a bit of an impossible task.
This is one of my real favourite tracks and always put me in a different place.
The combination of musical talents on this with Bernard, Jonny, Neil and Chris is just off the scale and they combine and complement so effectively.
This track is just genius and the remix just allows it to flow by virtually playing the original twice.
I'd like to dedicate this to all the lovers in the house!
Farley and Heller were always so consistent with their remixes and although I felt some of their stuff was a touch "too US" on occasions, this was certainly one of their top notch remixes.
Superb vocals by the legendary Michael Watford, one of the great house vocalists for amny years and sadly no longer with us.
The piano in this track aligned to the Fire Island percussive beats make this a real stand out track.
Great reworking of the classic Soul Providers track which was huge back in the late 90s.
This has reworked the fabulous Michelle Shelley vocals from the original and also tinkled with other aspects of the production to give it a great fresh and new feel.
Great to hear this again and I'm sure it will be a biggie in the clubs.
Clubland made some absolutely corking tracks and although this is not quite up there with "Love Strain" it is still a very well produced and exciting track.
Great vocals once again by Zemya and some delightful piano by Eric Kupper.
Just lovely and I'd say a very underated and underplayed track.
Very much on the Balearic tip, that being very eclectic and not totally aimed at the dancefloor, yet a track which just just so great it would make a great closing track.
Lights on and this blasting out as everyone came together as one on the floor.
It's just a great pop sone from 1985, but 40 years on, it still sounds awesome.
The saxophone in this is superb also, as with many 80's tracks.
This was very much a one hit wonder, but oh what a hit.
Certainly worthy of PCC status in that true Balearic mould.
I purposely avoided posted some of the old classics when I first started the blog way back in back in 2009, as the focus was on getting the more underground classics out there.
This one fell into the overplayed, too commercial bag at the time, however 16 years on, it feels apt to start posting some of these tracks now.
They are still very much PCCs and very certainly massive back in the day.
This has a big Sasha track often dropped at Shelleys in Stoke - what a club that was!
Love it or hate it, it is certainly a great track.
His last few new tracks have marked a move to quite a different style to his more traditional classic house for which he is so renown for several dacades.
However, it still retains that great Todd production and most certainly bangs.
This comes with a fierce drum roll and some serious house beats.
It's been around 15 years now, but it still sounds right on the pulse.
Of course, homage must be paid to the original inspiration for this dating back to 1979 and Millie Jackson's – We Got To Hit It Off (which I posted on the blog a few months ago).
That's the beauty about dance music - always borrowing, sampling and re-working to create something different and reinventing.
There are loads of different remixes of this and the Original takes some beating.
That said I think this version which actually came out 6 years later is probably my fave.
PVD just creates something which makes the oriuginal even better (and much longer - which is a huge bonus).
Just an epic, epic trance classic.
I think the reason I've not posted it before now, is that I wanted to check through all the remixes to try and determine which is the best, and here you have it.
I posted another track from this 12" recently and this is another superb track from it.
Dating back to 1991, this was before mash ups became a thing and was probably one of the earliest types.
I think the reason I like it so much is because the mash up features one of my favourite tracks Kites by Ultraviolet as well as India's - Lover Who Rocks You. Both great tracks in there own right and both already posted.
This blend though is just full on and right on the money.
Brings back some great memories of the epic days of the early 90's.
Morales and Mariah are like a match made in heaven.
Mariah's amazing vocals and Morales superb remixing have combined on so many tracks and they are always brilliant.
Right back to the first Mariah remix (Dream Lover) he did in 1992 where he requested that Mariah re-performed her vocals, which was unheard of at the time.
This is very much in the same tried and tested formula, Mariah's honey coated vocals and Morales fierce percussion and delightful piano.
Vocal house music at it's best.
Mariah Carey - Can't Take That Away (Mariah's Theme)