Dear Fellow Dance Music Lovers,
This blog brings you the best in Dance Music and Club Classics; from early 87 (back in the daze) through to the present day.
For all those who rocked it all night until the early hours, to those that lived for clubbing and couldn't wait for the weekend to arrive. Enjoy and leave any comments on the blog or contact direct by email at pureclubclassics@live.co.uk
I've posted a different version of this classic on the blog before, but there are also a couple of other amazing remixes of this track which are certainty PCC status.
This William Orbit remix is amazing, with so many different sections, to it.
It starts off slow and just so hauntingly beautiful and then really picks up the pace and goes off the wall crazy, then slows down a touch and then goes again.
What a remix. it totally engrosses you for the full 10 mins.
A big track for "The Man Like" (Sasha).
Really quality and very unique.
Enjoy!
Morgan King - I'm Free
(William Orbit Remix)
Now this version could almost be a different track.
It was the same amazing opening chilled vibe, but in this mix it stays chilled throughout the track and is just gloriously luxurious and atmospheric.
Depeche are one of the great bands of the modern era - fact, but there isn't too much of their music which truly translated across onto the dancefloors of the best clubs.
However, this is a real exception thank you to some amazing production by Brian Transeau.
BT was heralded as almost the saviour of dance music (at least in Sasha's eyes), but although some of his tracks were outstanding; many weren't.
This one however, is in the outstanding bracket and is a wonderful progressive journey that keeps you encapsulated from start to finish.
The Depeche vocals are superb throughout as you'd expect.
This is probably not one of her best, but damn fab all the same.
Moto Blanco are always pretty consistent with their remixing just managing to navigate that fine line between commercial/underground and generally keep their tracks clubby enough and not too poppy.
What do I think about this track, I'd say "Just Fine"
Pretty much loved everything Jay Kay did, he was one crazy Kat!
Especially when his tracks were remixed in fact I need to post more than I have done to date.
This one is just quality thank you to a fantastic disco-licious remix by the legend that is Dave Lee aka Joey Negro (perhaps the most prolific remixer/producer out there).
What you get is a great track - disco through and through, funky as hell with just a great vibe.
The one thing that always inspires me to continue posting on the PCC blog is coming across old favourites which really should have been posted a long time ago due to their PCC status, but for whatever reason have been overlooked, forgotten about or on the odd occasions gems I've never heard before.
This one falls into the old classics I'd forgotten about and is a cracking track laden with piano.
Z Factor are another alias of the omnipresent Joey Negro aka Dave Lee.
Another cracking track from Incognito with two very fine remixes.
Baby I love everything that you do.....for me!
This T-empo remix is excellent and a lot more housey than their customary epic remixes, it is nonetheless top notch and right up there with the high standard they set.
IMHO it outshines the S-Man remix which is also very good (as per usual).
Incognito were one of those music acts which were a bit dull for my tastes, but came alive when remixed effectively as Roger S has done on several of their tracks.
Another huge banger of a remix from my all time fave dance duo, the legends that were Chris and James.
One of the great perks of running this blog back int' day was "meeting" them through it and having their contribution and input.
This is in their traditional remix vane, just an absolute banger with lots of great piano and so much uplifting energy.
Chris and James made some amazing, amazing tracks many of which are posted on the PCC blog.
It always saddens me that they not truly got the acclaim their musical genius deserved.
However, they can bask in the glory that their tracks and utterly timeless and still sound amazing to this very day.
Hats off to you chaps!
I'll be giving you my body and my soul!
P.S. If you've never checked out their Essential Mix from 1994 (of course it's on the PCC blog - it still remains as the greatest mix set of all time IMHO.
Now this one rips and steals from everywhere, particularly The 49ers Touch Me, which stole from Aretha Franklin's "Rock-A-Lott". I could go on but I might be here all day there are that many samples in here.
Still that was the way it was in 1991 and is no different today.
That aside, this is still a cracking old skool track, definitely a little dated now, but still a little cracker!
It's been a while since I've posted a Frankie remix.
Boy the legend produced some fantastic tracks, this is another sensational remix right up there with his best stuff (but to be honest everything he ever touched was golden).
Love everything about this track, great vocals, great vibe, great feel and of course Frankie's sensational piano sprinkled in aplenty.
It's been a while since I posted some trance and to be honest I need to post some more as there are still so many epic tracks from the late 90's which are worthy of PCC status.
This is a delightful track with some fantastic complimentary male and female vocals.
Feeling this way, makes me feel like falling!
Laura Hallet's vocals are angelic, why wasn't she on more tracks?
Or maybe she was under an alias (sounds very much like Maria Nayler)?
I quite often slag off the (poor) quality of many of todays supposed top dance tracks as many are pretty poor and just constantly ripping off and regurgitating old classics from back int'day.
However, it always great to hear new tracks which just take my breath away.
This is one such track.
It has a pretty slow build up and although good it's just doesn't reveal what's about to come next; an absolutely sensational piano break down which is just heaven.
His remix work is always so perfect, bringing the best out of the artist and lengthening the track in all the rights places to just simply prolong the enjoyment.
I really miss the use of "proper instruments" on current tracks and this one has some great musical production.
A stone cold classic and much better than the Pasadena's cover.