Dear Fellow Dance Music Lovers,
This blog brings you the best in Dance Music and Club Classics; from early 87 (back in the daze) through to the present day.
For all those who rocked it all night until the early hours, to those that lived for clubbing and couldn't wait for the weekend to arrive. Enjoy and leave any comments on the blog or contact direct by email at pureclubclassics@live.co.uk
Jeanie Tracy was always a cracking vocalist and Tin Tin Out always made superb and consistently good remixes, so it comes as no surprise that this track from 1995 is a bit of a banger.
The vocals are soaring, the piano kicks in and you're off.
Great builds and energetic sequences create a pretty spanking tune.
For those of you like me who used to adore Where Love Lies, but then started to dislike it as it became so overplayed that it became tedious and that was before the Jon Lewis advert.
Well fear not, if you felt that way grab a piece of this.
It is exquisite and gives Where Loves Life new life, a completely different feel and yet keeps all the superb bits, speeds them up a little at times from a beautiful slow build up but just creates a feel that I haven't felt for this track since it's hey day when it was first released back in 1990.
Quite simply one of the finest reworkings in house history - yes that epic.
Pure class from 1996, still sounding amazing 30 years on.
Andrew Pearce Vs The Reese Project - Where Love Lives
Nick Bracegirdle's Disco Citizen's work was another level and so much better than his more commercial front as Chicane.
This is another great track and although not quite as good as some of his best Disco Citizens tracks previously posted it is still pretty tasty all the same.
Fast paced, energetic and enough to send you into orbit.
Oakey has always been at the cutting edge of new dance music and I sometimes feel he is less acknowledged than people like Sasha (who has a God-like status) which I feel is much more appropriate to Oakey.
Oakey was there at the very beginning and was largely responsible for the Acid House boom which created club culture as we knew to love it.
Respect - he will always be recognised as a one of the true GOATs in my mind!
They were one of the bands which I totally loved as a young teen and their sound and consistency was always super impressive.
Anything Vince Clarke ever touched just pure gold whether for Depeche, Yazoo, The Assembly or of course Erasure.
The Clarke-Bell collaborations were always magic with Andy's great vocal prowess and Vince's technical genius.
This track just epitomises the Erasure quality coupled with a great 7th Heaven and you have a great pop track with just enough club vibe to sneak it into PCC status.
This track for me captured all his musical talents, some spine tingling piano, some great bird noises and aural sound effects which just took you on a building trance journey.
Possibly not as dancefloor friendly as some tracks, but it was very nicely produced.
It was also pretty trailblazing at that time in 1995 and certainly captured Sasha's attention who was deeply inspired by BT.
The piano breakdown from 7 mins 53 secs in is just heavenly and simple divine!
Never need an excuse to post a Janet track and certainly never need an excuse to post anything Steve Anderson has touched.
This is one of Janet's lesser known tracks from 1990, but it gets the Steve A treatment laden with great piano.
Janet's great vocals and the energetic upbeat tempo coupled with Steve's remixing genius create a fine little track and certainly one which should have had more club exposure.
What I love about this guy, is that he produces music which is just what I want to hear.
Most notably, great dance music with fantastic piano breakdowns.
He is one of most refreshing artists to come onto the scene for many years and I hope he becomes huge.
His style is very reminiscent of the old skool type tracks from the early 90s when everything piano was heavenly.
That's 4 corking tracks which are up their with anything else I've heard produced in recent years.
This is one of the fundamental reasons I've continued with my blog for so many years, it's coming across tracks which just hit you and immediately give you that sense of euphoria that great dance music is all about.
A fine piece of trance with some great unique voiced vocals.
As with all their work G&D provide another amazing production which compliments the excellent vocals which are voiced rather than sung, but nonetheless sound great and really create a strong vibe.
This feeling is all new, I want you addicted to me.
An absolute corker of a track and almost as good as the amazing Blind Faith, which is right up there as one of my all time faves and was posted on the PCC blog back in 2009.
This is just a slice of sublime dance music.
I love everything about the track, the vocals, the vibrancy, the originality, the piano is off the charts and the whole production is just spot on.
A true hidden gem and a track which should have been massive.
If in any doubt drop it in any of your sets and you'll get a great crowd reaction.
Slightly cheesy although still credible old skool piano house track from 1991.
It has lots of charm, lots of energy and as mentioned is a tad too commercial, but very likeable all the same and just sneaks enough with enough to give it PCC status.
Probably not my strongest post, but a catchy little (and unknown) track.
A really great track which has been around a few years, but always sounds great.
It's got classical piano vibes and is very chilled in essence, but then grooves and builds, up the tempo somewhat and then relaxing back down, but always keep you highly engaged.
A very special track, beautifully produced and very compelling.
Superb piano house track from 1995 and thirty odd years on it still sounds fantastic.
It's funny how some tracks remind you of DJ's and although I don't know if Allister Whitehead ever played this but I'd definitely class it as a typical Ali Whitehead track.
Lots of great piano, lovely house vocals and an excellent piece of production.
Great piano vibes throughout and just a superb vibe.
This would go down superbly on any club dancefloor and would be one of those tracks which could be pulled out of the bag at anytime to get the floor rockin'.
I'm surprised that I haven't posted this until now.
One of the all time great dance tracks and one of the true pioneers of electronic music.
Along with I Feel Love this is one of the most iconic tracks in dance music history and it's hard to believe it's almost 50 years old.
I've also upped a recent Fred Falke remix which is very nice as it pays homage to the amazing original, but adds some fiercer beats and gives up a bit of a update and polish.
After all these years of posting club classics I'm quite surprised that this is the first Jean-Michel Jarre track I've posted on the PCC blog.
This one is a coloration of two of electronic music's great pioneers in JMJ and Tangerine Dream, then bring in one of Trance music's finest remixers in Above & Beyond and you have a masterpiece.
This track is just off the scale with variety, dips, peaks, tempo changes and all the bleeps and blips you could which for.
A really unique and amazing track.
I bet this could sound amazing when dropped at the right time in a club.
Enjoy!
Jean-Michel Jarre & Tangerine Dream - Zero Gravity
Another track dropped by Parky in his recent set at Farsley.
I'd forgotten how powerful this track was and it went dance an absolute storm and had everybody going for it.
It probably got a bit overplayed when it first came out, but glad to know it has stood the test of time very well and 25 years on is still sounding great.
Great vocals by Moony, great vibe and just a lovely feel to this track.
This one has been around for a while and was played by Parky during his great set that I saw in Farsley recently.
It's a bit of a strange one, as there are parts of this I love, but then some parts which are feel just drag a bit and feel that it doesn't really reach it's full potential.
Hence, could probably do with another remix.
Maybe one for Sgt Slick to fine tune.
The piano breakdown is the standout bit by far, but even that could kick on a bit more.
A nearly track, but just achieving PCC status due to that lovely piano breakdown!
Absolute banger of an old skool track and a big Sasha track back int'day!
This one is from 1990 and contains loads of great hands in the air piano.
Not dissimilar to a few other old skool tracks, but this one is a pretty unknown track and hopefully the PCC blog helps to share this with the wider dancefloor community!
That was such an exciting time musically as it was an era of people experimenting so much with all the new sounds and technology they were hearing.
The tracks back then mixed a bit of house, loads of samples and a bit of all sorts chucked together, all very raw but all very effective and most importantly still sounding great all these years on.
This is a real mish-mash of a whole load of different vibes, much just feels good!
Coco Steel & Lovebomb - Miracles (I Don't Believe In)
Cracking track from 1991 with some great ethereal vocals and a nice new beat vibe.
The Voodoo Child Mix is a great remix by Moby, gosh that boy had some talent and is behind so many amazing dance floor tracks and many that appear on the blog.
Some of the tracks from this era just had a special feel to them and this is one very much in that category.
I've also included the HP Saucey Mix, although not as good, still has a nice feel and is a little more Ibizan Balearic in style, Justin Robertson on the remix on that one.
Both great tracks well worth a listen and rightly deserve PCC status!
Staying on the Emotion - Nick Hussey theme, here's another old skool classic from 1991.
I'm surprised I've not posted this before now as this was a big track and one played often.
Sounds a little dated now, but that piano choons vibe from 1991 was one of the greatest times in clubbing history and the vibe in clubs back then was second to none.
The good old days when hands in the air was obligatory.
Love this track it was from an old mix tape by DJ Franklin.
He made some of the absolute best mix tapes back in the early 90s.
I still listen to them loads now and they still sound amazing.
This was mixed into S.U.N - Vision, a huge favourite of mine and then mixed into another track I totally love, but have never manged to track down.
Well about this track, it's just sensational, great vocals by Chazzie, remix and production by Roger Sanchez and just some delightful old skool piano throughout.
Throw in loads of samples, some great shout outs and you have a total PCC.
Still sounds amazing even though it's 35 years old.
I saw the Michael bio-movie last night and it just emphasised what a fantastic artist MJ was.
It pains me that his amazing legacy is somewhat tarnished and he's not remembered in the way that much lesser musicians were.
He was a truly one in a generation artist and I only have positive thoughts and beliefs of him.
His vocals and whole presence in the songs he created were just on another level.
This is a much more laid back, very soulful and much more Balearic than dancefloor, but nonetheless wonderful.
Michael will always remain as one of the great artists to have walked this plant and I will only ever have the utmost respect for his influence on music.
It's been a bit of a Graeme Park love in today on the blog, but that's becuase the great man has such fine msucial tastes and will always be one of my favourite DJs.
This is a sensational new track which sounds amazing and has been featured on Parky's great radio show.
Great production and remix work by the disco legend that is Dave Lee (formerly known as Joey Negro).
This is a fantastic piece of disco-tastic delirium.
It's lively, funky, energetic and throbs and pulses in all the right places.
Never liked this track, but this is an awesome remix and was another track which went down a storm last night when Parky dropped it.
I love the fierce new beats in this and it is a fine remix by David Penn who is certainly one of the best in the business at the moment.
This track used to be a really annoying ear worm, but this mix totally transforms it with some delightful piano chords it is now a proper anthem and certainly worthy of PCC status.
I saw Graeme Park DJ live last night for the first time since the Hacienda days in the 90's (apart than a few Hacienda Classical nights that I've been to).
It was at the Old Woollen in Farsley, Leeds and the great man didn't let me down and played some absolute corkers. The vast majority of tracks he played are already on the blog, but I'm going to post a few choice cuts which went down a storm.
It was a great event with an older crowd who knew their music and Parky was just pure class.
This one was great to hear and comes courtesy of a fine bit of modern tinkering by the Sgt.
The "wrapped in your arms" bit always hits me deep.
The instruments and production on this are just exquisite, not to mention the glorious vocals.
Amazing to think this track is nearly 50 years old, totally timeless.
A really nice dance reworking of the legendary Al Stewart track which has one of the most famous piano riffs, probably alongside Bruce Hornsby's.
This uses that great piano very effectively and adds some nice pulsing beats.
Probably not one for the purists, but I think it is very catchy and yes very commercial but still very pleasing on the ear which is what it's all about.
Enjoy!
P.S. I've no knowledge of a Jody Negro, which could well be a contrived name, but doubt it is the great man aka Dave Lee/Joey Negro.
Two corking old skool tracks from 1991 on a double A white label, both are killer tracks which would smash up any decent club dancefloor.
These two should have been much bigger as they are both really great tracks, filled with banging piano and perfect to create total dancefloor delirium.
I don't particular remember hearing them played out back int'day but know they would still go down a storm.
Any young DJs out there who are looking for a unique track send their crown wild, look no further.
Compulsion has some really spellbinding piano, but don't overlook Razor Happy which is also razor sharp!.
There is no finer moment in dance music than hearing the wonderful ethereal vocals of the uber talented Ms Martin against a great club remix which has lots of builds, drops and awesome piano.
Billie's voice has captivated me every since I first heard her early Electribe 101 tracks.
This track is just epic courtesy of a great Diggers remix, very BT-esque!
Just delightful - dare I say it "music to my ears"