Dear Fellow Dance Music Lovers,
This blog brings you the best in Dance Music and Club Classics; from early 87 (back in the daze) through to the present day.
For all those who rocked it all night until the early hours, to those that lived for clubbing and couldn't wait for the weekend to arrive. Enjoy and leave any comments on the blog or contact direct by email at pureclubclassics@live.co.uk
Another stunning new track from the Keinemusik stable.
It was the closing track of their recent Coachella set and whilst the set in itself wasn't overall impressive, this track was certainly a key stand out.
It has such an all encompassing vibe which just soothes you and then the piano is so hauntingly beautiful.
A really great track once again.
Reznik, Good Guy Mikesh, Keinemusik - One And Only
Amazed that I haven't posted any Soft Cell on the PCC blog to date.
Well this one goes out to the uber talented Dave Ball who passed away this week.
Probably the lesser known of the combo that made up Soft Cell as Marc Almond was very much the focal point of the group.
Those guys were very much at the forefront of dance music for many years and one of the early exponents of Ecstasy many years before it hit club culture, through their acquaintance with the legendary Cindy Ecstasy who features strongly in this track with some lush vocals.
They made so many great tracks that I could have posted several, but although Tainted Love was by far their most famous, this is one of my faves.
I love the chatter in the track through, just class.
Marc: When I first met you, you looked a lot like Billie Holiday, that nude backless dress, the one with the sequins and the single white gardenia
Cindy: I was probably drunk, I had no make up on
Marc: Oh, but you had such style
Cindy: Oh really?
Marc: And those words you sang, and it was my life story
Cindy: It was mine too
Marc: I remember I drank too much and made a fool of myself
Cindy: You looked okay to me but, when you get like me then you know you're in trouble
Marc: I went to grab you and kiss you, but I thought you'd hit me
Cindy: Too bright baby
The whole track is just quality from start to finish.
A quality track from 1994 and another that never got played out in the clubs as much as it should have.
This should have been a lot bigger.
No surprise to know that Stonebridge were behind this remix which probably explains the bouncy piano vibe, which goes down a treat when combined with Sabrina's classy vocals.
I don't know why, I don't know why?
Sabrina Johnston - Satisfy My Love
(Johnny Boy's Monday Full On Mix)
The House Factor mix is also pretty tasty and well worth a post.
Lots of chunky piano in this one, which is also Stonebridge under their Swemix alias).
Quality track from 1997 courtesy of a quality Disco Citizens remix (weren't they all).
As good as Chicane were I always preferred Nick Bracegirdle's work under his Disco Citizens alias as it always felt a little bit more underground and less commercial.
As well as a good remix this also has some fine vocals from Sonya Madan probably better known as the lead vocalist in 80s Britpop band Echobelly.
I'm quite probably risking my credibility here, but who cares.
I really like this track and think it just about deserves it's position on the PCC blog.
Yes, it's as cheesy as hell but it does sound really great and would definitely go down a storm in a club if dropped at the right time.
This track also possibly holds the record for the oldest on the PCC blog with the original Frankie ialli version dating back to 1967 (almost 60 years ago - Wow!).
It was given a Disco revival by Boys Town Gang in 1981 and then Jimmy revamped it as he did with many 80's disco classics.
Not quite as powerful (or popular) as Diddy's remix of Atomic, but a cracking remix all the same.
Blondie was one of my first music influences and I played Parallel Lines to death in late 70's as a youngster (yes I even had great taste in music as a 8 year old!!).
This remix is from 1995 and captures all the essence of the original with Debbie's superb vocals, but also provides a pretty powerful dance groove.
Fast tempo from the start it keeps pounding along and then increases the appeal as it starts to add some great ethereal feel towards the end of the track.
Loving this a great new track from Ten City who have been producing great house music from the very beginning of the house era way back in the late 80's. Now that is longevity.
It's amazing to think that there first track Devotion was released in 1987.
That's almost 40 years at the top of their game, when most dance acts are lucky if they last 40 weeks let alone months and most certainly not years.
Respect to Ten City.
About the track well it's an absolute belter - laden with piano from start to finish and a high tempo grrove that just bounces along with some great lyrics and of course some delightful vocals from Byron.
A real quality piece of house music (maybe a touch on the commercial side), very lively and entertaining.
Possibly a tad short at just under 4 mins, but I'm sure new remixes will come in due course.
Get on the flow, come on let's go!
Come on let's have some fun, let's party everyone!
I love all those New Beat tracks and when mixed and blended with all the house and Balearic tracks from that era they gave Acid House it's key ingredients.
Simplicity but done so well and still sounding great almost 40 years on.
Another quality track from Just Jack, love his stuff always on point.
Along with Mike Skinner (aka The Streets) they really helped to change the face of rap.
That whole style they produced was unique fresh and just felt very authentic, very matter of fact.
Here are two great versions which if I had to choose I'd probably opt for the Trophy Twins Mix (only just), as it is a touch more dancefloor focused where Ashley's version is more jazzy (but still great!).
Both very worthy of PCC status!
It's a long way to come from the Dog N' Duck Karaoke machine!
Great new track which has been a key feature of recent Keinemusik sets.
It's very much in the style we have come to expect with a gentle chilled build up and then explodes with some amazing piano chords which just feel so good.
These tracks just put you in a place and create instant adrenalin rushes.
Why do you dance, why do you move, why do you groove?
Reznik, Jesse Boykins III - Cloudy Eyes (Dance Tonight)
A really great new and very different remix of the Ms Bush classic.
The vocals are not dissimilar to Pink Floyd's - Another Brick In The Wall", but it's the deep progressive house vibe around the track which is really great.
It touches on the Afro House vibe, but is quicker and more pounding.
This one comes from 1999 when trance was at it's very peak.
I think this review from Discogs by Wizhard sums it up very nicely
Higher is one of the finest work of the legendary Laurent Veronnez.
A perfection of progressive trance, it's just impossible to stay insensitive to this one, it brings so much emotion to your ears...
A truly artistic piece that begins with a splendid aerial instrumental break of 3 minutes before kicking in and evolving to a shattering lead sequence.
Then the tracks starts its blossoming and reaches its final state of total bliss with gorgeous piano chords and a Balearic guitar riff...
Maybe this is what it feels to reach the heavens of the sky?
Only just come across this, although it is over 5 years old, (Oops - so much for the PCC blog being at the forefront of fantastic dance tracks (as well as PCCs from back int'day).
I have to say it is one of the best tracks (of it's type) that I've heard for many years.
It is very much a cross between Joy Division/New Order and Depeche Mode - with influences from each of those.
Superb vocals, great electro synths and the starts and drops just like many great Depeche tracks.
Probably not overly dancefloor friendly but could be used effectively as an opener or set closer!
I would like to find the answers I was always rudely denied!
Just lovely - a must for any Depeche fans out there.
Really surprised that I've not posted this yet at this was a huge fave back in the day and a perfect last track of the night selection.
First released in 1991 it is just such a great track with some sumptious vocals from Nicole Williams.
More indie dance than pure dance, but as mentioned such a great track for last of the night and all joining in unity. I remember it being played last track at Cream once in the early 90's.
Still sounds amazing and it should have been much bigger than it was.