Dear Fellow Dance Music Lovers,
This blog brings you the best in Dance Music and Club Classics; from early 87 (back in the daze) through to the present day.
For all those who rocked it all night until the early hours, to those that lived for clubbing and couldn't wait for the weekend to arrive. Enjoy and leave any comments on the blog or contact direct by email at pureclubclassics@live.co.uk
Blue Amazon were pretty amazing and everything that touched was just supreme.
This is right up their with some of their best.
Strap yourselves in it's an epic 15 minute journey, but one that keeps you fully engrossed throughout.
Layers and layers of superb progressive house at it's very finest and building and building until that heavenly peak with those delightful piano chords and the helicopter/chopper blades sound effects.
Just so chilled and with those heavenly chimes, it just puts you in another place.
This has featured on many Balearic albums and rightly so, as it epitomises that Cafe Del Mar scene.
I've also included a more recent Charles Shillings remix, which is pretty good and very similar just a little bit faster and punchier, but still containing the great aura of the original.
When I hear this track I instantly think of the Chris & James Essential Mix session which they did live on Radio 1 back in 1994.
It is still to this day the best DJ mix set I have ever heard and still sounds brilliant almost 30 years later.
It was posted on the PCC blog many moons ago, so make sure you check it out if you've not heard it.
By hook or by crook most of the tracks from that mix set have managed to make their way onto the PCC blog, just because they were all pretty amazing.
This is probably a lesser know one, but fabulous all the same.
It's a great track by the notorious Annabella Lwin, possibly most famous for posing naked on a Bow Wow Wow album cover as a 14 year old back in 1982. (It certainly wouldn't happen nowadays folks!).
The track is ballsy and contains lots of sex chants, underpinned by a really hypnotic groove.
It's a really great and unique track, typical of the Chris & James ear for obscure gems.
I wasn't quite sure what to make of this when I first came across it, as the Portishead version is so iconic and such as classic.
However, as with pretty much everything they touch Heaven 7th have done a great job and kept true to the original whilst adding a bit of extra fizz and their customary dance/crossover vibe.
Maybe not one for the purists, but I can guarantee that this would rock dancefloors if dropped at the right time.
It starts with a chuggy laid back vibe and then in true TE form it kicks up to a pounding, throbbing beast. Then bid tempo is drops back to the slow laid back vibe, only to ratchet up again.
It owes a lot to U2's - Where The Streets Have No Names and uses that riff very well.
All in all a cracking track which keeps you fully engrossed from start to finish.
I don't often post brand new tracks on the PCC blog, usually because today's dross don't come anywhere near the great tracks of yesteryear that we all know and love.
This however, is truly sensational and is one of the best tracks I've heard in years.
Just a glorious track with lush vocals and just such a beautiful chilled vibe.
Mark my words this will be huge this summer.
I heard it on Parky's mix show yesterday and just can't stop playing it.
Let's just wallow in this piece of Balearic brilliance.
I hated The Cure growing up as a young teen, mainly because my sister loved them.
As I matured I began to appreciate their true genius and they truly deserve their place in the upper echelons of UK music history.
When they remixed their tracks via the Mixed Up album their brilliance was converted to the dancefloors instantly creating Balearic masterpieces of which this is one.
Enjoy!
"I spy with my little eye something beginning with "S"
Brace yourself for 16 minutes of the most epic trance you are likely to hear.
Here in all it's full glory are the complete versions of this most wonderful track from 1993.
There are of course many remixes and many are excellent, however you get the best feel for the real brilliance and amazing atmosphere of this track through these versions.
Spellbinding!
Enjoy!
If you haven't quite got the patience for 16 mins, I've also posted the instrumental version (the one hammered by Oakey), which is epic enough although only 6 mins in length.
A superb track from 2020 which is a lot more recent than most on the PCC blog.
I'm really like a lot of Yotto's work.
If you like your music dreamy atmospheric and trancey he's your man.
Such a great vibe to this track and it's that gets better every time you play it.
Superb vocals from Nathan Ball.
Get on it!
Also very worthwhile getting on the Paul Woolford remix which is also great, which is much more upbeat and laden with his trademark booming piano riffs.
Faithless feat. Nathan Ball & Caleb Femi - I Need Someone
(Yotto Extended Remix)
Faithless feat. Nathan Ball & Caleb Femi - I Need Someone (Paul Woolford Extended Remix)
Possibly one of the most unique and amazing vocalists of our generation.
Simply stunning.
Valerie is the same vocalist as on the fabulous Novocento track "Leaving Now" which was massive in clubland in 1994 and was posted on the PCC blog back in 2009.
This track from 1984 is more Italo disco based, but is still amazing thanks to her truly stunning ethereal vocals.
It's a slice of dance music heaven!
I'll always be eternally grateful to my late friend Allison for introducing me to this track (R.I.P.)
Lots of Sunscreem on the PCC blog and rightly so as they were one of the very few consistent dance acts who managed to be both underground and mainstream at the same time.
The former was usually due to some fantastic remix work and this is a classic example.
There are so many remixes of this track and many very good, but none quite touches this IMHO.
The slow intro is so luxurious and teasing and was a great set opener.
The Graeme Park remix is also superb (as always) and there are many others worthy of listen.
I'm quite amazed I've not posted this before, but on reflection I purposely avoided posting tracks which were well known/over played when I first started the PCC blog back in 2009.
This is and always will be one of the original rave anthems, yes it went mainstream, yes it was overplayed, yes parts of it do sound very cheesy and very dated, but that sax riff will never age and will always continue to send shivers down anybody with a dancing bone in their body.
Additionally the piano on this track is also "off the wall" and equally epic!
It's well past 1990 and sadly the Guru is no longer with us, but this track always will be.
Contains some great heavy percussion and hand claps and then drops that atmospheric break from Moby's - Go, which was also cleverly used in Twin Peaks.
Tracks like this made so much more sense on the dancefloor and were immense when dropped at the right time.
Danny wasn't the most prolific remixer, but his hear for a tune was always his forte and his remixes were usually laced with some delicious piano and this is right on cue.